Relatively
little is known about Richard Rolle, and what we do know is based almost
entirely from autobiographical references that are found in his own writings
and from the biographical office complied by the Hampole nuns thirty years after
he died during the Black Death in September 1349. Several miracles were attributed to Rolle during his life and even more so
after his death which led people to believe that he would one day become a
saint. Rolle was born in Thornton Dale in the North Riding of Yorkshire, the
son of William Rolle, a prosperous but landless yeoman. Rolle studied at Oxford
sponsored by the archdeacon of Durham Thomas Neville, however, in his
nineteenth year after religious conversion, he left university before taking a
degree. Following this, Rolle famously fashioned himself a hermit’s habits from
his sister’s clothing before returning to Yorkshire.
Aged twenty-two he had his first sensory
experience of God’s love: a warmth (fervor);
a sweet smell or taste (dulcor); and
the angelic chorus of the saved in heaven (canor).The
commentary which best expresses this divine moment is his gloss on the first
two and half verses of the Song of Songs or Super canticum canticorum, which
survives in thirty manuscripts. Here he gives a sensual account of these
feelings and claims to have repeatedly experienced these sensations over many years.
These experiences can be compared to many other English and European mystics,
for example Julian of Norwich claimed to have experienced divine revelations
from God and St Teresa of Avila, who inspired the infamous Bernini sculpture, experienced
many visions of Jesus and seraphim. She can be related to Rolle not only
through the fire of love which she experienced physically when visited by the
seraph “leave me all on fire with a great love for God”
but she also helped establish nine levels of Christian prayer comparable to
Rolle’s levels of sensory experience which lead one to God.
In the Fire of Love
Rolle refers to an intense physical sensation and an almost sexual love for God
portrayed by an abundance of erotic language and description. “What mortal man
could survive the heat at its peak,”
he uses the heat of love to emphasise God’s ineffability, his references to
Icarus suggest that we as humans can feel the heat, if we are fortunate enough,
but we cannot reach the very core as we will be burnt, “he must inevitably wilt
before the vastness and sweetness of love.” This
is not unique to this work as references in Ego
Dormia, one of Rolle’s later vernacular works despite its Latin title , are
made to a marriage to Christ as Rolle attempts bring the readers to ‘Christ’s
bed’. The piece is written in an intimate present tense for a nun of Yedingham
and uses sensual language to encourage a union between the recipient, himself
and Christ. Critic
E.Colledge believes that this is the piece which best represents Rolle. With The Fire of Love in particular, Rolle
inspired a great response with many villagers’ who experienced similar fiery
passions; he became incredibly popular with the common man who believed he
would become a saint. Emendatio Vitae or The Amendment of Life was perhaps the most popular of Rolle’s Latin
treatises on the spiritual life and was also later translated into English by
Richard Misyn.“There is no emphasis on the hermit life yet it is utterly
characteristic of Rolle’s spirituality.”
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